I want to get started with my schoolwork. The natural starting place seems to be to do the reading, but my teacher hasn't yet sent along the packet of ten-minute plays that I must respond to for my first assignment. I guess I can read the craft book I need to review; just ordered a copy of it now.
I need to finish planning the revival session of my Burn Notice game for this coming Tuesday. We will be joined by the fabulous Mr. Michael Hyde, who has graciously agreed to take on the role of Riker, the nerdy hacker who remade himself into the ultimate cool guy (or so he thinks.) He will be coming over for dinner tonight to discuss the particulars of the campaign and how best to fit into it. Hopefully it will inspire me a little. I like the sessions to be extensively planned out so there's a lot of detail and possibility, which requires a lot of forethought. I also like to emulate the way the show incorporate personal hooks for the characters into an otherwise caper-of-the-week plot structure, but that can be tough. No wonder I can't manage to run this as a weekly campaign; I could never churn out that level of work in that short a period.
I do, however, want to get serious about writing a ten-minute play a week. I think it would be beneficial to my development as a dramatist. The problem is right now I am totally stuck for an idea. I've always had this problem. When I have an idea, I've no trouble coming up with the project to match it, but when I know the project I need to do, I really suck a coming up with a fitting idea. I might have to cut it down to a ten-minute play every two weeks if it's going to be this tough to come up with something to write about. Suggestions welcome, I suppose.
I need to finish the final edit of Merely Players. The show is so close to being finalized it's painful, I just need to buckle down and make it work. I am endeavoring to add back in the stage manager character I had to cut for a lack of lines, but now I think I can include him if I make him a pantomime character who is totally silent for comedic effect. Also, I want to have an initial blocking plan made up to go into the process with. The show is supposed to be really funny, which the blocking must support, and is also intended to work outside the conventions of traditional theater. It has a cabaret sort of atmosphere, so the fourth wall is a lot less firm, for example, and the "actor's space" is not confined to a separate area understood to be the "stage." The blocking must take full advantage of that freedom, and be sufficiently unusual to create the proper effect.
I want to find a good beginner's sewing reference. I will be FINALLY getting my sewing machine at the end of the month, as that's when I will be next visiting home and my parents discovered the thing would be exorbitantly expensive to ship. In the meantime, I would like to cut out pattern pieces and study up to be ready for the machine. There's a lot about technique and terminology I am completely in the dark about, so might as well use the time before I can actually start sewing to read up on the matter and be prepared.
Sadly, I think I should probably be putting my new larp idea on hold. The Roman Empire game, which I am thinking I'm going to call Imperium, is very exciting to me right now, but sadly I think I need to be prioritizing dramatic writing and more immediately relevant writing instead. Of course, knowing me, I'll be struck by ideas for it anyway, which of course I will be obliged to record lest I forget them even if I'm not actively working on the project. Nice as it would be to have something new to debut at next Festival, I need to balance my love for larp writing with writing I can make greater use of in a career as a writer. I hate saying that, but my current portfolio is kind of unbalanced and that needs to be corrected.
So those are my major concerns right now. Looks like I have a lot of work ahead of me. Let's see what I can do. *cracks knuckles*
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