Flashbacks are going to be an important part of The Tailor. The events and injustices of the past that were never revealed or made right drive the story in the modern day, and I want to depict those characters living out the events in a way that slowly reveals the entire picture. Here is a scene involving two of the Loring sisters, seventeen-year-old Bethany and twenty-five-year-old Emma, consulting a local skilled dressmaker by the name of Abigail Barrows, mother to our hero Tom, back during the end years of World War I.
As a side note, I am having a hard time casting some of my female roles. Miss Bethany I know I want to be played by niobien*
BETHANY: Hello. Are you the seamstress?
ABIGAIL: I am. My name is Abigail Barrows. I hope you’ll find my work to your liking.
EMMA: Pleasure to make your acquaintance, Mrs. Barrows. I trust you’ve been told Bethany here is soon to have her coming out ball?
ABIGAIL: I have, miss.
EMMA: She’ll be needing something special to wear. Something suitable for the nature of the event.
ABIGAIL: I very much understand. Something to make her seem more a woman than a girl.
EMMA: Exactly, thank you, madam.
ABIGAIL: I’ll just take your measurements, then, miss. Lift your arms, please.
BETHANY: Oh. Like this?
ABIGAIL: Thank you. I know just the thing. A straight skirt to lengthen the leg, a close-fitting bodice to flatter a delicate figure. The material will come dear, though, with the rationing…
EMMA: Not to worry. We have secured it already. Please, have a look at this bolt.
BETHANY: Do you think you can use it?
ABIGAIL: Oh, my! I haven’t seen so much fine silk since before the war!
BETHANY: Most decent people haven’t.
ABIGAIL: However did you get it?
EMMA: Our family deals in textiles of all varieties. Such are our spoils.
ABIGAIL: You have lovely taste. It will suit you well, Miss Bethany. I would suggest beading it in dark blue and ivory, to best set off the color. Beadwork is my specialty, you see.
BETHANY: That does sounds beautiful.
ABIGAIL: I’m very glad you think so. I will make sketches of the design for you and send them over. Did you want to talk about your wedding gown in this visit as well?
BETHANY: My what?
EMMA: I beg your pardon, Mrs. Barrows?
ABIGAIL: I’m sorry, it was something Mr. Loring said…
EMMA: What did our father say, Mrs. Barrows?
ABIGAIL: He said he wanted to engage me for more than just the ball gown. He wanted me to make Miss Bethany’s wedding dress as well.
BETHANY: Why would he tell you that? Emma, why would I need a wedding dress?
ABIGAIL: Perhaps I misunderstood…?
EMMA: No, I don’t think you did. Bethany, dear, I believe Father’s plans for you have become entirely clear.
BETHANY: Oh… oh, no. It’s that man, isn’t it? That man with the accent… Father is going to make me… oh, no.
EMMA: Heaven help us.
ABIGAIL: Did I speak out of turn?
BETHANY: (Breaks down sobbing.)
ABIGAIL: Oh, my… miss, whatever is the matter?
BETHANY: So it is true! He is selling me like a sheep.
ABIGAIL: Oh, miss, I… I don’t know what to—
BETHANY: Emma, what am I going to do?
EMMA: Our brother warned me of this, but—
BETHANY: Rowan knew? Why didn’t he tell me? Why didn’t you tell me?
EMMA: Please, Bethany, it doesn’t matter now.
BETHANY: How could you keep this from me?
EMMA: I was waiting until the time was right! I was going to help you!
BETHANY: How?
EMMA: I— I don’t know yet. But not now, Bethany, this is a family matter.
BETHANY: Bother family matters, Emma! You all say family matters when you mean lies and silence and secrets! I won’t have any more of it! I… I’m sorry, Mrs. Barrows. But I don’t know what to do.
ABIGAIL: Not at all, child. If you’d like, you can tell me your troubles. There may be something I can do.
EMMA: Mrs. Barrows…
BETHANY: We must have help from somewhere, Emma.
EMMA: (Sighing) Yes. Yes, we must must.
ABIGAIL: Please, tell me. Perhaps… perhaps I can help.
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