Tuesday, November 8, 2011

Merely Players tech week begins


Yesterday was the beginning of Merely Players tech week. I was tired going in, due to the fact that I'd spent the weekend finishing my enormous final grad school assignment for the semester, but I always seem to kick into gear once the urgency of the final days of production sets in. I like the energy of tech week, the feeling of everyone involved focusing in on their tasks to put the show together. It doesn't matter how tired I am, I go into CREATIVE ADRENALINE HYPERDRIVE MODE and off we go, getting things done. And of course these Hold Thy Peace one-act side projects have the best tech weeks. The shorter the show and the smaller the cast, the easier it is to get everything prepared ahead of time and hit the ground running once we get into the theater. For To Think of Nothing it was perfect, like a series of well-designed gears clicking together and snapping into place. For Merely Players it's a little rougher due to the space; tech and set has to be minimal in a lousy performance space like Schwartz Auditorium, but we still had to arrange the lights and set the stage to suit our purposes. For us load-in consisted primary of moving our mountain of costumes and props into the theater; a hallmark of the first night of tech week for me is spending an hour beforehand packing all our stuff into my car and feeling so grateful that we can just leave it in the space until we're done. We got three lovely techies, Elena, Sari, and Samantha-- real techies, not the actors-playing-techies in the show --to come and help, and we set cast and crew alike to setting up the lights and putting together the costume rack and seeing that the prop tables were all properly laid out. On Bernie's suggestion we first did a walk-through of all the blocking in the new space. I think that was extremely helpful for the actors to get their bearings, because the first full run was smoother than even I'd hoped. We still have a bit of polishing of the timing and spacing to get down, but by and large they were very comfortable and the run was very strong. I am so pleased and proud of them. If we keep this up, by opening night this Friday we are going to do a fantastic performance of the first actually funny comedy HTP has done since Comedy of Errors my junior year.

Monday, November 7, 2011

Biweekly Theater Writing Challenge #10 - First complete draft of The Waiting Room

Finally finished the entire first draft of a one-act family drama set in a hospital that I'm calling The Waiting Room. I think it needs more, but it's at least a complete draft now. This contains the previously posted flashback pieces now in the larger context of the story. It makes particular efforts to include subtext and avoid unnecessary exposition. Here's hoping my teacher doesn't hate it.

THE WAITING ROOM
By Phoebe Roberts
~~~

Cast
HELEN GAFFEN, a pregnant woman in her twenties who has just gone into labor
LYNETTE GAFFEN, her mother
BRUCE GAFFEN, her father
MARGARET GAFFEN, her teenaged sister
DAVE HOLLAND, her best friend
BEVERLY MAYHERN, her grandmother
DR. TEAL, her obstetrician

~~~

SETTING: A hospital waiting room is set up in the middle of the stage. On SL is a medical exam room, on SR is a hospital bedroom. Each section is lit individually, so indicate which is “real” in any given scene.


(A young man in his twenties, DAVE, sits alone in the waiting room, somewhere between anxious and bored. He keeps looking off to the side, as if hoping someone will come out to him.


(Suddenly the whole Gaffen family, father BRUCE, mother LYNETTE, and teenaged daughter MARGARET, comes in, talking frantically over one another. DAVE springs to his feet.)

DAVE: What’s happening?

LYNETTE: The head’s too big.

BRUCE: There’s a lot of blood.

MARGARET: They threw us out.

LYNETTE: They’re taking her into surgery!

DAVE: Oh, God.

(Behind the row of waiting room chairs, doctors and nurses wheel their heavily pregnant eldest daughter HELEN on a gurney across the stage. The family’s voices all mix together so that they cannot be understood, then taper off when the crowd with the gurney gets offstage.)

LYNETTE: They’re giving her an emergency C-section.

DAVE: Is she going to be all right?

MARGARET: They have no idea.

BRUCE: The doctors are going to take care of her. This hospital’s done pretty good by us in the past.

DAVE: Yeah? That’s… that’s good. That’s something.

BRUCE: We’ve got a lot of history here. We’ve made a few visits for just one family.

LYNETTE: It’s a good hospital. This is where Grandma finally got her right diagnosis.

MARGARET: For all the good that did her.

LYNETTE: She had lymphoma, Maggie, there wasn’t much anyone could have done.

BRUCE: But this isn’t like that. This is something they can handle.

DAVE: So… what now?

LYNETTE: I guess there’s nothing to do but wait.

MARGARET: Great.

(They all settle uncomfortably into the waiting room. Bruce picks up a newspaper while LYNETTE and DAVE sit moodily. MARGARET starts playing with her cell phone. She holds it to her ear, then looks at in frustration.)

MARGARET: No cell service at all.

(She gets up and starts walking away.)

LYNETTE: Where are you going?

MARGARET: Trying to find signal.

LYNETTE: Did you have that with you in the delivery room?

BRUCE: You’re not supposed to have cell phones in the hospital rooms, Maggie.

MARGARET: I didn’t use it.

LYNETTE: You shouldn’t use it now.

MARGARET: There’s nothing else to do out here!

BRUCE: You should really be thinking of your sister right now, hon.

MARGARET: (Grumbled, under breath) How’s that any different than usual?

(Flashback to the past. Lights up on the exam room. MARGARET goes and sits on the counter in there. She puts a cast around her wrist. Lights down on the waiting room. Enter HELEN.)

HELEN: Aw, geez, Margaret, look at you.

MARGARET: Yeah, yeah, I know.

HELEN: What happened?

MARGARET: We cut through the construction site on Bacon Street. We were climbing over the earthmover and when I tried to get off I fell. Sandra called an ambulance and they took me here.

HELEN: Oh, my God, don’t you know how dangerous it is in there?

MARGARET: It’s like twenty minutes faster!

HELEN: Maggie, a girl got killed messing around in there last month! There’s heavy machinery and blasting caps and God knows what else. You could have broken your neck or blown yourself up!

MARGARET: Blow myself up, are you kidding?

HELEN: Did the ambulance call the cops on you? You know you were trespassing.

MARGARET: Yeah, but—

HELEN: Jesus, Margaret!

MARGARET: Nobody’s pressing charges! They let me off with a warning not to do it again.

HELEN: You could have gotten into so much trouble. There’s a reason Mom and Dad forbade you from going through there. They’re going to be so disappointed.

MARGARET: You can’t tell them!

HELEN: They’re going to see you’ve got your arm in a cast! You’re just lucky they aren’t going to see it on you in jail.

MARGARET: Christ, calm down! Nothing’s going to happen now! Mom and Dad don’t have to know how it happened. We can just say that I tripped down some stairs or something!

HELEN: I’m not lying to them, Margaret.

MARGARET: So you’re going to rat me out?

HELEN: Not if you tell them yourself.

MARGARET: Nothing all that bad happened! I’m okay mostly! I won’t do it again!

HELEN: They made that rule for a reason.

MARGARET: Who made you my parole officer? Can’t you just help me out here, just this once?

HELEN: Grow up, Margaret.

MARGARET: Yeah, of course not. ‘Cause you never screwed up once in your life. You’re so damn perfect all the time!

HELEN: I thought you were smarter than this, but I guess you’re not.

MARGARET: No shit, you’re the only smart person in the world, Helen. Thanks so much for this, sis. You’re going to run everything. They’re never going to trust me again!

HELEN: You should have thought of that before your betrayed their trust. Come on. Let me get you home already.

(Lights down on the exam room. Return to the present. HELEN exits while MARGARET removes her cast. Lights up on the waiting room. MARGARET sits down sullenly back in one of the chairs.)

BRUCE: I was thinking… should we call him?

LYNETTE: Call who?

BRUCE: You know. The boy. The baby’s father.

LYNETTE: Oh, God.

BRUCE: What was his name again?

DAVE: (Flatly) It was Ben.

BRUCE: That’s right. In all the confusion we didn’t even think of it.

LYNETTE: (Coldly) I did.

MARGARET: Why would we want to call him?

BRUCE: He might want to know what’s happening.

LYNETTE: Oh, I think he made it very clear that he didn’t want to have anything to do with this.

DAVE: Good riddance, I say. He doesn’t deserve to know what’s going on.

BRUCE: So you knew him?

DAVE: Yeah.

BRUCE: And you didn’t like him either.

DAVE: That’s putting it mildly.

BRUCE: I see. I mean, we didn’t get the best impression of him either, but we didn’t really know him…

DAVE: Take it from me, knowing him makes it worse.

BRUCE: So he’s just disappeared, then?

DAVE: Yep. Run off like a rat and can’t be contacted for anything.

BRUCE: It’s good of you be here, Dave.

DAVE: It’s nothing. I wanted to be.

BRUCE: You’ve been such a good friend to Helen through this. She needs good friends right now.

LYNETTE: Yes, thank you, Dave.

(She squeezes his hand.)

LYNETTE: I still can’t believe it. I thought she was smarter than this.

MARGARET: Yeah, she sure seemed to think she was.

DAVE: Hey, come on.

MARGARET: No, seriously! She always acts like she’s got it all figured out, but she’s stupid sometimes just like the rest of us.

BRUCE: Don’t talk about your sister that way.

MARGARET: I’m sick of it!

BRUCE: She is laid out on an operating table right now.

MARGARET: I know, I know. But when? When do we get to talk about how Helen’s not as perfect as she thinks she is?

DAVE: Everybody makes mistakes. Ben was… just a mistake.

LYNETTE: I wish I understood why, though. What in the world did she see in him?

DAVE: God, I don’t know. (To himself) Been asking myself that for a long time.

(Jump back to the past. Lights down on the waiting room as DAVE goes to the exam room. HELEN sits on the counter in a gown with a small but visible pregnancy bump. DR. TEAL enters with a chart.)

DR. TEAL: Helen Gaffen?

HELEN: Yes.

DR. TEAL: Hello, I’m Dr. Teal. I’ll be doing your exam today. How do you do?

(He shakes HELEN’s hand, then turns to DAVE.)

DR. TEAL: And who might you be?

DAVE: Me? I’m Dave Holland.

DR. TEAL: Pleased to meet you. What brings you in with Helen?

(DR. TEAL begins HELEN’s exam.)

DAVE: Well, she didn’t want to come in alone. Somebody should be along. You know, for moral support.

(HELEN looks at DAVE awkwardly. Suddenly he understands.)

DAVE: Oh, it’s not mine.

DR. TEAL: All right.

DAVE: I’m just her friend.

HELEN: The father and I are out of contact. He’s… not going to be involved.

DR. TEAL: I understand. Well, Helen, everything looks fine so far, but we’ll draw some blood for testing, and get you an ultrasound. I’ll just go and get the machine ready. I’ll be right back.

(Exit DR. TEAL. As soon as he’s gone, HELEN collapses a little and covers her face with her hands.)

HELEN: God, what he must be thinking.

DAVE: I’m sorry, I should have kept my mouth shut.

HELEN: No, it’s not you, it’s me.

DAVE: What do you mean?

HELEN: Everyone’s judging me all the time now.

DAVE: Oh, he’s a doctor, I’m sure he doesn’t do that.

HELEN: Well, that makes one of them. I know what everyone else is thinking when they look at me— unwed mother, abandoned by the father, threw away her whole life.

DAVE: I’m so sorry, Helen. I hope that’s not true.

HELEN: Thank you. And thank you for coming down here with me.

DAVE: Glad to do it.

HELEN: If you hadn’t, I don’t know who would have. I couldn’t have asked anyone in my family. They’re so disgusted with me. After getting with Ben, even after everybody told me not to… they all just think I’m a fool.

DAVE: I don’t think that.

HELEN: Really? I know you certainly didn’t approve of him.

DAVE: Well, no, but that never changed what I think of you.

HELEN: That really means a lot. It’s changed what I think of me.

DAVE: Oh, Helen.

HELEN: It has. I can’t believe how stupid I was. Thinking I was special because he was a jerk to everyone but me… of course sooner or later he’d be a jerk to me too. And now I’m abandoned with a baby. Guess I got what was coming to me.

DAVE: You don’t really think that, do you?

HELEN: Think what?

DAVE: That you’re… being punished with this?

HELEN: I don’t even know, Dave.

DAVE: God, no. Helen, you just made a mistake. You didn’t do anything wrong.

HELEN: I’ve still got to pay for it. I mean— I know I shouldn’t say that. A baby’s not a punishment. It’s just… now I have to take care of one all by myself.

DAVE: No, I get it. I mean, now you're stuck with Ben's—

HELEN: Dave, don't talk like that! It's still my baby!

DAVE: I'm sorry. It's just... I know it's yours, but I... it's weird that it's Ben's too.

HELEN: Well, it's weirder for me! But that can't matter anymore. I'm going to be somebody's mother, Dave. Somebody's going to cry when they're hungry, or scared, or hurt, and they're going to be crying for me. I don’t know if I’m up that.

DAVE: You won’t be alone. The people who love you will help.

HELEN: Maybe. But it’s my responsibility. Nobody’s but mine. If I screw this up… my baby suffers for it.

DAVE: You won’t screw it up. You’re good at everything, Helen. I’ve never seen you screw up.

HELEN: Except with this. And my mom thinks I’ve screwed up my whole life. Can’t finish school right now… and I’m probably going to have to get used to being alone. Who’s going to want a screw-up with a kid?

DAVE: Please, Helen, stop. This might have thrown off your plans for the moment, but that doesn’t mean you can’t get back on track later. Things could still work out. Someone as smart and determined as you will find the way.

(HELEN shrugs, unconvinced.)

DAVE: And someone like that will never end up alone. The right person won’t care about any of this.

HELEN: I hope so. It ran Ben off pretty quick.

DAVE: That wasn’t your fault! He’s an asshole. You deserve way better than that. You deserve… somebody better.

(Pause.)

DAVE: Helen… I want you to know I’ll always be here for you. For anything you might need.

(Reenter DR. TEAL. DAVE takes a step back in embarrassment.)

DR. TEAL: All right, Helen, we’ll take you into ultrasound now.

(HELEN slides down off the counter. DAVE starts to follow her out, but DR. TEAL stops him.)

DR. TEAL: Sorry, sir, it’s family only back there.

DAVE: Oh. Of course. I guess I’ll wait for you in here.

HELEN: Thanks, Dave.

(She briefly hugs him.)

HELEN: I really don’t know what I’d do without you.

(HELEN walks out after Dr. TEAL. DAVE stands alone a moment, looking sadly after her.)

DAVE: Yeah.

(The lights go back up on the waiting room and down on the exam room. Return to the present. DAVE returns to the chairs.)

BRUCE: Sure taking a long time in there.

MARGARET: Yeah.

BRUCE: I wonder if there’s a vending machine or something around here.

LYNETTE: I can’t believe you can eat right now.

BRUCE: Well, there’s not much else I can do. Except say my prayers. Been doing that for a while now.

(BRUCE gets up to go searching, but DR. TEAL enters and stops him.)

DR. TEAL: Mr. Gaffen? Mrs. Gaffen?

BRUCE: Yes?

LYNETTE: (Standing) Is she all right?

DR. TEAL: Turns out the situation is a little more serious than it first appeared. There’s a lot of tearing from the baby coming backwards down the birth canal, so we’ve got a lot of bleeding to deal with. It’s touch-and-go for now, but we’re doing everything we can.

DAVE: Oh, God.

DR. TEAL: Don’t give up. We haven’t lost either of them yet.

(DR. TEAL exits.)

LYNETTE: I can’t believe this is happening.

BRUCE: Chin up, love.

LYNETTE: She has such a bright future ahead of her. Or at least, she used to.

DAVE: She still does.

LYNETTE: She’s already had to leave school. Have there ever been any pregnant girls in any of your classes?

DAVE: Uh, not that I noticed. Could have been, though.

MARGARET: Oh, come on. Of course not. How many unwed mothers don’t manage to screw up their lives?

DAVE: This is Ben’s fault, not hers.

BRUCE: Come on, Margaret, don’t talk that way.

DAVE: She wants to get things back in order.

LYNETTE: Yes, but will she be able to? God, this going to ruin everything.

BRUCE: Oh, don’t say that.

LYNETTE: Think of how hard things are going to be, Bruce! What about college?

MARGARET: Will she be able to go back to school with a baby?

LYNETTE: I don’t know how. She’s already a semester behind. It’s not like things will be easier when the baby’s born.

MARGARET: I wonder how Little Miss Perfect will handle that.

BRUCE: Margaret, I’m serious. Cut it out.

LYNETTE: I’m still worried about what’s going to come of this. I don’t know if she’ll ever be able to have the life she wants.

BRUCE: Lynette, how are you so sure?

LYNETTE: Because I’ve seen it.

BRUCE: You don’t know that’s what’s going to happen in this case.

LYNETTE: But what kind of mother will it make her? And what will it be like for the child that has to grow up in that kind of environment?

DAVE: She’s going to do the best she can, I know it.

LYNETTE: That’s what we all do. But sometimes that’s not enough. It was hard on your grandmother. She was about Helen’s age when she had me.

MARGARET: But Grandma was married and everything.

LYNETTE: Even so. She made that very clear.

(Lights down on the waiting room. Jump back to the past. LYNETTE goes to the SR hospital bed. BEVERLY sits up in it, hooked up to machines. LYNETTE faces away from her and picks up the receiver on the wall phone.)

BEVERLY: I can’t believe they’re not letting me go home. I want to talk to the doctor again. Lynette? Lynette, are you listening?

LYNETTE: One minute, Mom, I’m on the phone with Scott.

BEVERLY: What?

LYNETTE: Here. Scott wants to talk.

BEVERLY: Oh, tell him I’m not here.

LYNETTE: Mom, he knows you’re here, you’re in the hospital.

BEVERLY: Tell him I can’t talk!

LYNETTE: Mom, come on.

BEVERLY: Tell him I’m taking a nap now, I’ll call him back.

LYNETTE: Oh, fine. Scott, she’s being difficult right now, she won’t talk. Sorry. I don’t know why! I can’t fight about it, I’ll make sure she calls you back. Bye for now.

(LYNETTE hangs up the phone.)

LYNETTE: I don’t know why you’re being like this.

BEVERLY: I told you before, I don’t want to take calls right now. I’m tired of everyone nosing into my health.

LYNETTE: Scott is your son and he’s concerned about you!

BEVERLY: Oh, if all of you were concerned you’d listen to what I say.

LYNETTE: Please don’t be like this when they get here.

BEVERLY: What do you mean, get here?

LYNETTE: Him and the kids are flying in on Wednesday.

BEVERLY: He’s just dropping everything in the middle of the week?

LYNETTE: He wants to be here with you.

BEVERLY: No, Lynette, not now. I hate it when they see me with my skin all pale and tubes stuck up my nose. Why can’t they wait until a time when I’m not stuck here?

LYNETTE: Mom, I don’t think you understand.

BEVERLY: What don’t I understand?

LYNETTE: You don’t seem to realize what’s happening.

BEVERLY: Oh, aren’t you so smart? Always know better than your mother!

LYNETTE: Will you just let me explain?

BEVERLY: Thank God you’re here to educate me!

LYNETTE: Mom! Please just listen to me.

BEVERLY: Fine, I’m listening.

LYNETTE: This isn’t like all the other times. The chemo isn’t working anymore. Things could get really bad. That’s why everyone’s flying in to see you.

(Pause.)

LYNETTE: Don’t you think we should be together right now?

BEVERLY: Why are you doing this?

LYNETTE: Doing what?

BEVERLY: You’re just trying to scare me!

LYNETTE: Mom, it’s the truth!

BEVERLY: And you throw it in my face so that I behave how you want me to behave! You never think about me!

LYNETTE: I’ve been here all week trying to take care of you!

BEVERLY: I took care of you your whole life, and you do this to me now? This is what I lost all the best years of my life to?

LYNETTE: How can you say that? Do you have any idea how that hurts my feelings?

BEVERLY: Your feelings? I’m the one who’s dying, and I should be worrying about you? Why don’t you go, Lynette, I said I didn’t want anyone visiting me.

(LYNETTE rushes out and returns to the waiting area. Lights down on the bedroom. Return to the present. LYNETTE sits and stares ahead, looking troubled.)

BRUCE: Lynette? Are you all right?

LYNETTE: Oh, yes. Just thinking. It’s hard for a woman with a child she didn’t mean to have. Women didn’t have as many options in those days.

BRUCE: What are you talking about, options? That’s not what your mother wanted and that’s not what Helen wants.

(Long pause.)

MARGARET: What if he dies?

LYNETTE: Who?

MARGARET: The baby. (To DAVE) It wasn’t a girl, you know.

DAVE: What?

MARGARET: The baby. When they looked at the ultrasound they told her she was having a girl. But during the delivery they discovered it’s really a boy.

DAVE: She really does want this. To have this baby. If something happens to him…

LYNETTE: She’s been on the edge of ruining everything ever since that slimy boy came into her life!

DAVE: Look, yeah, Ben was a jerk! Nobody knew that better than me. But that doesn’t change how Helen feels!

MARGARET: It could still happen! We don’t know what’s going to happen! This could be bad either way!

(They start arguing loudly at each other until BRUCE stands up and stops them.)

BRUCE: Stop it, all of you! Don’t you see? It’s not just the baby that might die, Helen might die too! That’s my little girl on that table. All our girl. And until she comes out, that’s all that matters to me. Whatever comes after that, we’ll deal with it.

(They all sit quietly for a long time, worrying and trying to draw comfort from each other. At long last, DR. TEAL enters. Everyone looks up to him expectantly.)

DR. TEAL: Everything’s going to be all right.

LYNETTE: Oh, thank God!

BRUCE: How is she?

DR. TEAL: She’s stable now. She’s still under, but she should be coming out soon.

LYNETTE: And the baby?

DR. TEAL: He’s just fine. They’re cleaning him up now.

MARGARET: Can we see him?

DR. TEAL: Of course. If you come back now, you can be there when Helen wakes up.

LYNETTE: Thank you, doctor. We will.

(The family collects themselves and exchanges embraces and supportive gestures. DR. TEAL starts to show them the way out. At first DAVE hangs back, but when he is noticed, LYNETTE and MARGARET urge him to come along with them. Exeunt and lights out.)


( Lights up on the hospital bedroom as we jump forward to the future. LYNETTE enters, carries a little boy, to the bed where HELEN lies holding a baby wrapped in a pink blanket in her arms.)

HELEN: Say hello to your new little sister, David.

LYNETTE: Helen, she’s beautiful.

THE END

Sunday, November 6, 2011

Quick ham bone soup update



Just wanted to report that my ham bone soup has turned out delicious. Turns out chilling it overnight was exactly the right move. I took it out of the fridge to see that the fat layer had solidified right on top just as I hoped. I scraped it off this morning, though it didn't come off neatly enough to save, and discovered that beneath it the soup had gelatinized into a nice thickness. It was the consistency I was going for from the start, with no need to puree it at all. I ate a mug of it just now, and it was great, smoky, substantial, with a great chewy texture. So I'm going to consider this experiment a success. I'll have to be sure I do this every time I have a ham.

Saturday, November 5, 2011

Biweekly Theater Writing Challenge #10.3 - Dave at Helen's checkup flashback in The Waiting Room


Another flashback scene from The Waiting Room. In this one, Helen's best friend Dave has accompanied her to a prenatal checkup. Like all the flashback scenes, this is intended to clarify the issues with Dave's relationship to Helen's pregnancy. My teacher wanted me to learn subtext, and I think I did a pretty good job of utilizing it here. I actually think it's pretty obvious, so see what you can pick up!

(Jump back to the past. Lights down on the waiting room as DAVE goes to the exam room. HELEN sits on the counter in a gown with a small but visible pregnancy bump. DR. TEAL enters with a chart.)

DR. TEAL: Helen Gaffen?

HELEN: Yes.

DR. TEAL: Hello, I’m Dr. Teal. I’ll be doing your exam today. How do you do?

(She shakes HELEN’s hand, then turns to DAVE.)

DR. TEAL: And who might you be?

DAVE: Me? I’m Dave Holland.

DR. TEAL: Pleased to meet you. What brings you in with Helen?

(DR. TEAL begins HELEN’s exam.)

DAVE: Well, she didn’t want to come in alone. Somebody should be along. You know, for moral support.

(HELEN looks at DAVE awkwardly. Suddenly he understands.)

DAVE: Oh, it’s not mine.

DR. TEAL: All right.

DAVE: I’m just her friend.

HELEN: The father and I are out of contact. He’s… not going to be involved.

DR. TEAL: I understand. Well, Helen, everything looks fine so far, but we’ll draw some blood for testing, and get you an ultrasound. I’ll just go and get the machine ready. I’ll be right back.

(Exit DR. TEAL. As soon as he’s gone, HELEN collapses a little and covers her face with her hands.)

HELEN: God, what he must be thinking.

DAVE: I’m sorry, I should have kept my mouth shut.

HELEN: No, it’s not you, it’s me.

DAVE: What do you mean?

HELEN: Everyone’s judging me all the time now.

DAVE: Oh, he’s a doctor, I’m sure he doesn’t do that.

HELEN: Well, that makes one of them. I know what everyone else is thinking when they look at me— unwed mother, abandoned by the father, threw away her whole life.

DAVE: I’m so sorry, Helen. I hope that’s not true.

HELEN: Thank you. And thank you for coming down here with me.

DAVE: Glad to do it.

HELEN: If you hadn’t, I don’t know who would have. I couldn’t have asked anyone in my family. They’re so disgusted with me. After getting with Ben, even after everybody told me not to… they all just think I’m a fool.

DAVE: I don’t think that.

HELEN: Really? I know you certainly didn’t approve of him.

DAVE: Well, no, but that never changed what I think of you.

HELEN: That really means a lot. It’s changed what I think of me.

DAVE: Oh, Helen.

HELEN: It has. I can’t believe how stupid I was. Thinking I was special because he was a jerk to everyone but me… of course sooner or later he’d be a jerk to me too. And now I’m abandoned with a baby. Guess I got what was coming to me.

DAVE: You don’t really think that, do you?

HELEN: Think what?

DAVE: That you’re… being punished with this?

HELEN: I don’t even know, Dave.

DAVE: God, no. Helen, you just made a mistake. You didn’t do anything wrong.

HELEN: I’ve still got to pay for it. I mean— I know I shouldn’t say that. A baby’s not a punishment. It’s just… now I have to take care of one all by myself.

DAVE: No, I get it. I mean, now you're stuck with Ben's--

HELEN: Dave, don't talk like that! It's still my baby!

DAVE: I'm sorry. It's just... I know it's yours, but I... it's weird that it's Ben's too.

HELEN: Well, it's weirder for me! But that can't matter anymore. I'm going to be somebody's mother, Dave. Somebody's going to cry when they're hungry, or scared, or hurt, and they're going to be crying for me. I don’t know if I’m up that.

DAVE: You won’t be alone. The people who love you will help.

HELEN: Maybe. But it’s my responsibility. Nobody’s but mine. If I screw this up… my baby suffers for it.

DAVE: You won’t screw it up. You’re good at everything, Helen. I’ve never seen you screw up.

HELEN: Except with this. And my mom thinks I’ve screwed up my whole life. Can’t finish school right now… and I’m probably going to have to get used to being alone. Who’s going to want a screw-up with a kid?

DAVE: Please, Helen, stop. This might have thrown off your plans for the moment, but that doesn’t mean you can’t get back on track later. Things could still work out. Someone as smart and determined as you will find the way.

(HELEN shrugs, unconvinced.)

DAVE: And someone like that will never end up alone. The right person won’t care about any of this.

HELEN: I hope so. It ran Ben off pretty quick.

DAVE: That wasn’t your fault! He’s an asshole. You deserve way better than that. You deserve… somebody better.

(Pause.)

DAVE: Helen… I want you to know I’ll always be here for you. For anything you might need.

(Reenter DR. TEAL. DAVE takes a step back in embarrassment.)

DR. TEAL: All right, Helen, we’ll take you into ultrasound now.

(HELEN slides down off the counter. DAVE starts to follow her out, but DR. TEAL stops him.)

DR. TEAL: Sorry, sir, it’s family only back there.

DAVE: Oh. Of course. I guess I’ll wait for you in here.

HELEN: Thanks, Dave.

(She briefly hugs him.)

HELEN: I really don’t know what I’d do without you.

(HELEN walks out after Dr. TEAL. DAVE stands alone a moment, looking sadly after her.)

DAVE: Yeah.

(The lights go back up on the waiting room and down on the exam room. DAVE returns to the chairs.)

Ham bone soup


Today I finally did something I've been meaning to do for ages, save the bone from a honey baked ham and throw it in a pot for soup. I didn't want to make a special trip for it or anything, so I just threw together some odds and ends in my kitchen. I'm still not very confident about improvising dishes, but I figured if it didn't work out it wasn't like I bought anything special. I started by sauteing an onion in the bottom of my big stew pot. I had originally wanted peas, as my I grew up eating a mean split pea and ham bone soup my mother makes, but I didn't have any, so I used a bag of brown lentils I've had lying around forever instead. In they went with the ham bone. I seasoned it simply using salt, pepper, thyme, and bay leaves, then covered everything with fresh water. That I boiled for a couple of hours on the stove, coming by periodically to stir it and see if the meat left on the ham bone could be knocked off into the soup. I had been eating the leftover ham off that bone for several days now, but I found that there was quite a bit left that was too hard to cut off with a knife and fork. It came off easily as it softened in the boiling water, so the broth became quite meaty. When it was finished it wasn't as thick as I wanted; I think I put too much water in in the beginning. Tossing the bare bone in the trash, I considered pureeing it to thicken it, then eat it for dinner tonight. But then it occurred to me that made from meat scraps as it was, it was probably very fatty. It might be better if I put it in the fridge overnight, so the fat would have time to rise to the top and condense into a solid layer I could easily scrape off. Perhaps I could even save it to use as a cooking medium for something else. I wasn't sure if pureeing it would disrupt the separation process, so I decided to hold off on that until after I'd defatted the next day. I will eat it tomorrow, and I'll hit it with the stick blender just before I do. Not sure how good it will be, as there's basically nothing but lentils and junk ham in it, but it smelled delicious while it was cooking, so I have high hopes.

Friday, November 4, 2011

Biweekly Theater Writing Challenge #10.2 - Helen-Margaret flashback from The Waiting Room


Well, it's getting to be greater than biweekly, isn't it? Good for me. Of course I've got to hand in a draft of my one-act this coming week, so I hardly have the time to wait for biweekly! Anyway, here's another scene from the hospital family drama I'm calling The Waiting Room. It's another flashback with the girl Helen (who's having the baby in the present) picking up her younger sister Margaret after doing something stupid lands her in the hospital. It's intended to illustrate how Margaret resents how perfect Helen is and how she never gets into trouble, which in the present gives her a conflict over feeling vindicated that Helen has finally screwed up but feeling guilty that she thinks that while Helen's in such dire straits.

(MARGARET goes and sits on the counter in the exam room. She puts a cast around her wrist. Lights down on the waiting room. Enter HELEN.)

HELEN: Aw, geez, Margaret, look at you.

MARGARET: Yeah, yeah, I know.

HELEN: What happened?

MARGARET: We cut through the construction site on Bacon Street. We were climbing over the earthmover and when I tried to get off I fell. Sandra called an ambulance and they took me here.

HELEN: Oh, my God, don’t you know how dangerous it is in there?

MARGARET: It’s like twenty minutes faster!

HELEN: Maggie, a girl got killed messing around in there last month! There’s heavy machinery and blasting caps and God knows what else. You could have broken your neck or blown yourself up!

MARGARET: Blow myself up, are you kidding?

HELEN: Did the ambulance call the cops on you? You know you were trespassing.

MARGARET: Yeah, but—

HELEN: Jesus, Margaret!

MARGARET: Nobody’s pressing charges! They let me off with a warning not to do it again.

HELEN: You could have gotten into so much trouble. There’s a reason Mom and Dad forbade you from going through there. They’re going to be so disappointed.

MARGARET: You can’t tell them!

HELEN: They’re going to see you’ve got your arm in a cast! You’re just lucky they aren’t going to see it on you in jail.

MARGARET: Christ, calm down! Nothing’s going to happen now! Mom and Dad don’t have to know how it happened. We can just say that I tripped down some stairs or something!

HELEN: I’m not lying to them, Margaret.

MARGARET: So you’re going to rat me out?

HELEN: Not if you tell them yourself.

MARGARET: Nothing all that bad happened! I’m okay mostly! I won’t do it again!

HELEN: They made that rule for a reason.

MARGARET: Who made you my parole officer? Can’t you just help me out here, just this once?

HELEN: Grow up, Margaret.

MARGARET: Yeah, of course not. ‘Cause you never screwed up once in your life. You’re so damn perfect all the time!

HELEN: I thought you were smarter than this, but I guess you’re not.

MARGARET: No shit, you’re the only smart person in the world, Helen. Thanks so much for this, sis. You’re going to run everything. They’re never going to trust me again!

HELEN: You should have thought of that before your betrayed their trust. Come on. Let me get you home already.

            (Lights down on the exam room. HELEN exits while MARGARET removes her cast. Lights up on the waiting room.) 

Thursday, November 3, 2011

Quick status update

A quick rundown of the state of my busy, busy life:

- Merely Players goes into tech week next week. We're very close to being ready to go; the acting and blocking have come out extremely nicely. We just need a few more costume pieces and props, plus to hammer out preparations for the concessions we're going to sell. Fortunately lots of people have volunteered to help, I just need to finalize the plan and organize those lovely people into useful action. You should come see it on 11/11 and 11/12-- doors open at 7:15, so you can order drinks and snacks before the show!

- My last playwrighting assignment for the semester is also due next week. Bah to that timing, which means I am going to have to work like a madman to get it and all the play prep stuff done all at once. I have begun work on my one-act that I must prepare, and started on the reading and responding, but still I'm probably behind where I should be. I guess this weekend will have to be devoted to finishing.

- I signed up for Feast of the Minotaur as my first pick for Intercon. I am pleased with that; it sounds like a good game and it's already full, so it turned out to be the right choice. I'd ask all of you what you chose, but as a member of bidcom I get to look at the signup logs, which is pretty much my favorite thing in the world.

- Work is going well, though I am not finding it effortless to get up one hour earlier. I do like getting out earlier in the day, though. There is talk of switching me from contractor to direct employee status. I take it that means I'm doing something right. Is it too much to hope that they'll start just paying me all the extra they've been paying to my staffing company? ;-)

- I have put myself on a diet. I am trying to stay within thirteen hundred healthy calories a day thanks to a calorie counter, and buckling down on my efforts to practice ballet for exercise outside of class. The calorie counter is mostly helpful in that it keeps me mindful of whether or not that can of soda is really worth it, and encouraging me to make better choices because the numbers indicate the difference. I feel hungry, but it allows me to get in complete and balanced meals while eliminating room for snackings during the day, so it's probably a good range for me.

- After the next week or so I am going to need a nice long rest. Fortunately my break from school and the finishing of my theater run coincide nicely. Perhaps during that time I will get more rest and start to de-stress.

Wednesday, November 2, 2011

Pixie dress

So hanging in the window of the thrift store all this past month was this dress:


I liked it the minute I laid eyes on it, and put my name down so that when they changed the display they would put it aside for me. I love all the details on it, the gathered tulle bodice, the pearlescent beading, the lace at the waist, the crisp pleats and sharp points of the skirt. When I was first going to try it on I thought it must be too small-- since my weight gain I feel like a house --but I was pleased to find it a very nice fit. It has shirring in the back, which probably helps. So home it came with me. Here is a closer shot of the details.


I'm not sure why I wanted this dress. The peachy-pink color isn't really a flattering one for me, and it's so ornate that I don't know where I'll ever wear it. But I think it looks like a dress for a pixie, or maybe a china doll or a young girl from an earlier century. If I'm lucky I can wear it as a costume sometime, in a larp or a play. Or maybe I'll throw another party just to give an excuse to debut it. The lovely thing about thrift store dresses is that they're a cheap way to get the thrill of pretty fancy things and it doesn't matter if you don't wear them very much.

Biweekly Theater Writing Challenge #10.1 - Mother-daughter flashback in The Waiting Room


I am working on scraping together a one-act play for my last playwrighting assignment. Though I don't love it, I have settled on writing a family drama about a family sitting in the hospital waiting area waiting for their daughter to have her C-section. The pregnancy was unexpected and unintentional and the family is not happy that it happened at all. As they wait, the story is interspersed with flashbacks of events in the family's history that took place in the same hospital that led them up to this point. I want the girl's mother, Lynette, to be unhappy about her daughter's having a baby because she had a poor relationship with a mother who had her too young and didn't want her. This scene goes from the end of a scene in the present with the family in the waiting room, where Lynette hints to her other daughter Margaret about their poor relationships, and ends in the scene in the past where the grandmother Beverly has just received bad news about her illness.

LYNETTE: Your grandmother was about Helen’s age when she had me.

MARGARET: But Grandma was married and everything.

LYNETTE: Even so. It wasn’t easy on her. She made that very clear.

            (Lights down on the waiting room. LYNETTE goes to the SR hospital bed. BEVERLY sits up in it, hooked up to machines. LYNETTE faces away from her and picks up the receiver on the wall phone.)

BEVERLY: I can’t believe they’re not letting me go home. I want to talk to the doctor again. Lynette? Lynette, are you listening?

LYNETTE: One minute, Mom, I’m on the phone with Scott.

BEVERLY: What?

LYNETTE: Here. Scott wants to talk.

BEVERLY: Oh, tell him I’m not here.

LYNETTE: Mom, he knows you’re here, you’re in the hospital.

BEVERLY: Tell him I can’t talk!

LYNETTE: Mom, come on.

BEVERLY: Tell him I’m taking a nap now, I’ll call him back.

LYNETTE: Oh, fine. Scott, she’s being difficult right now, she won’t talk. Sorry. I don’t know why! I can’t fight about it, I’ll make sure she calls you back. Bye for now.

            (LYNETTE hangs up the phone.)

LYNETTE: I don’t know why you’re being like this.

BEVERLY: I told you before, I don’t want to take calls right now. I’m tired of everyone nosing into my health.

LYNETTE: Scott is your son and he’s concerned about you!

BEVERLY: Oh, if all of you were concerned you’d listen to what I say.

LYNETTE: Please don’t be like this when they get here.

BEVERLY: What do you mean, get here?

LYNETTE: Him and the kids are flying in on Wednesday.

BEVERLY: He’s just dropping everything in the middle of the week?

LYNETTE: He wants to be here with you.

BEVERLY: No, Lynette, not now. I hate it when they see me with my skin all pale and tubes stuck up my nose. Why can’t they wait until a time when I’m not stuck here?

LYNETTE: Mom, I don’t think you understand.

BEVERLY: What don’t I understand?

LYNETTE: You don’t seem to realize what’s happening.

BEVERLY: Oh, aren’t you so smart? Always know better than your mother!

LYNETTE: Will you just let me explain?

BEVERLY: Thank God you’re here to educate me!

LYNETTE: Mom! Please just listen to me.

BEVERLY: Fine, I’m listening.

LYNETTE: This isn’t like all the other times. The chemo isn’t working anymore. Things could get really bad. That’s why everyone’s flying in to see you.

            (Pause.)

LYNETTE: Don’t you think we should be together right now?

BEVERLY: Why are you doing this?

LYNETTE: Doing what?

BEVERLY: You’re just trying to scare me!

LYNETTE: Mom, it’s the truth!

BEVERLY: And you throw it in my face so that I behave how you want me to behave!

LYNETTE: How can you say that?

BEVERLY: You never think about me!

LYNETTE: I’ve been here all week trying to take care of you!

BEVERLY: I took care of you your whole life, and you do this to me now? This is what I lost all the best years of my life to?

LYNETTE: You know it hurts my feelings when you say that?

BEVERLY: Your feelings? I’m the one who’s dying, and I should be worrying about you? Why don’t you go, Lynette, I said I didn’t want anyone visiting me.

            (LYNETTE rushes out and returns to the waiting area. Lights down on the bedroom.)

Tuesday, November 1, 2011

"The Butler's in Love"

I like this image.




It's from a series called The Butler's in Love by Mark Stock. I think it's sweet and very sad. He's mooning over a lipstick mark left on a glass, which probably means that the woman he loves is probably above his station and unlikely to look his way. I like how they always have him slightly turned away, conveying how this is a secret thing he is wrestling with, something he cannot allow anyone to see. The artist painted it during a time of struggle with his own unrequited love, and I can see the empathy and understanding in the composition. I'd like to try to find the whole series, as what I've seen of it really affects me.
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